Human Nature
Looking out
Across the nighttime
The city winks a sleepless eye
Hear her voice
Shake my window
Sweet seducing sighs
Get me out
Into the nighttime
Four walls won´t hold me tonight
If this town
Is just an apple
Then let me take a bite
If they say --
Why, why, tell ´em that it´s human nature
Why, why, does he do me that way
If they say --
Why, why, tell ´em that it´s human nature
Why, why does he do me that way
Reaching out
To touch a stranger
Electric eyes are ev´rywhere
See that girl
She knows I´m watching
She likes the way I stare
If they say --
Why, why, tell ´em that it´s human nature
Why, why, does he do me that way
If they say --
Why, why, tell ´em that it´s human nature
Why, why does he do me that way
I like lovin´ this way
I like lovin´ this way
Looking out
Across the morning
Where the city´s heart begins to beat
Reaching out
I touch her shoulder
I´m dreaming of the street
If they say --
Why, why, tell ´em that it´s human nature
Why, why, does he do me that way
If they say --
Why, why, tell ´em that it´s human nature
Why, why does he do me that way
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| Título - Compositor ou intérprete |
| Te devoro (Djavan)
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| Sabor colorido (Geraldo Azevedo)
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| Close to you (Hal David, Burt Bacharach, Carpenters)
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| Se fiquei esperando o meu amor passar (Legião Urbana)
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| Noite do prazer (Cláudio Zoli, Brylho)
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| What a Wonderful World (Bob Thiele, George David Weiss, Louis Armstrong)
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| Advice for the young at heart (Tears for Fears, Nicky Holland, Roland Orzabal)
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| Será (Legião Urbana)
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| Olha O Que O Amor Me Faz (Sandy & Junior)
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| Ao que vai chegar (Toquinho, Mutinho)
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| Esquinas cruéis (João Alexandre, Grupo Milad)
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| Do You Know (Where You´re Going To)? (Michael Masser, Mariah Carey, Diana Ross)
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| Nada Mais (Lately) (Gal Costa)
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| Louras Geladas (RPM)
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| Codinome Beija-Flor (Luiz Melodia)
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| More than words (Extreme)
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| Perfeito adorador (Filhos do Homem, Fabiano Schenato Barbosa)
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| Sorte (Celso Fonseca, Ronaldo Bastos, Gal Costa, Caetano Veloso)
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| Jardins da Babilônia (Rita Lee)
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| Happy (Michael Jackson, Smokey Robinson, Michel Legrand)
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